The Masonic Temple renovation is low-key but worth an explainer. Here we go:
The 17,466 SF Masonic Temple at 115-117 North Cayuga Street is a bit of an unusual building. It was one of the last designs by prolific local architects Arthur Gibb and Ornan Waltz, and completed in 1926. The style is Egyptian Revival, which was also used for the Sphinx Head Tomb at 900 Stewart Avenue, and to a lesser extent in the Carey Building, which was built around the same time. Egyptian Revival architecture uses what are or are perceived to be Egyptian motifs (stark facades, strong symmetrical elements, Egyptian-themed ornamentation), and experienced a resurgence in the 1920s following the opening of King Tut’s tomb – the early 20th century designs are sometimes grouped in as a subcategory of Art Deco.
Keep in mind that Freemasonry is a loose affiliation of fraternal groups, with some degree of secrecy (that they like to play up, for better or worse). Although diminished in this age, they played a role in community social life much as Greek Life does on college campuses. The Ithaca Freemasons wanted something exotic with just a hint of foreboding, so the architects went with minimal ornamentation, strong symmetry, simple, slit-like windows, and a bare, impassive facade, here a thin limestone veneer over a steel frame (a modern idea for the time). To quote William D. Moore’s Masonic Temples: Freemasonry, Ritual Architecture, and Masculine Archetypes, “a critic claimed that Ithaca’s Masonic Temple could help visitors to imagine themselves ‘transported to the civilizations of the Pharaohs…There is no mistaking this structure for an abode of commerce’.”
By the 1990s, the Masonic Temple had fallen into disuse, and local developer and major landlord Jason Fane picked it up in 1993. Fane had made his intent clear that he preferred to demolish the building and build new on the site, a stone’s throw from the hear of Downtown. In response and concern to that idea, the building was landmarked in 1994. You could probably see some parallels to the Nines situation here, only the Nines owners aren’t already multi-millionaires and don’t have a negative public image.
It’s a difficult building to reuse. Not only does one contend with the extra hurdles and costs of working with a landmarked historic structure, but the rooms are cavernous and the building has been described as functionally obsolete – its outdated mechanical systems and lack of handicap accessibility have made it a difficult sell to prospective commercial tenants. The last tenant was the Odyssey nightclub, which moved out over a decade ago. Older folks tend to remember a restaurant prior to that, Europa.
Fane himself was never a big fan of what was considered his “white elephant” property; out of concerns he was letting it decay to the point of an emergency demolition, the CIITAP tax abatement rules were modified in 2014 to say that applicants had to be code compliant on all their other existing properties, and was targeted at Fane, who was seeking an abatement at the time for an apartment proposal at 130 East Clinton Street (it was denied and the project was never built).
The best way to describe the Masonic Temple problem is that it’s not the location, and it’s not out of a lack of interest – it was simply the cost of making it code-compliant and more accessible for tenants. Early plans considered putting The History Center here, while an earlier plan from 2012 considered buying the property from Fane and making it into a community center. The 2012 plan never made much headway – Fane was not keen on selling, and he still harbored hopes of demolishing it. The History Center plan was also seen as more expensive than a specialized space for The History Center.
The city has long hoped that they and Fane would see eye-to-eye, and finally it appears that dream is coming true. In July 2015, the city Common Council voted to support an application from Fane to the New York State Main Street Program, a state-sponsored grant program that encourages revitalization efforts at historic sites in downtown urban centers. In December of that year, the state awarded Fane a $500,000 grant towards the rehabilitation of the building (which cost a little over $1 million total). The initial plans were to get the ball rolling on construction in summer 2016, but it does appear that much-lauded renovation plan is finally moving forward now.
The renovation, designed by architectural preservation specialists Johnson-Schmidt & Associates of Corning, calls for the creation of three commercial spaces, the installation of a ramp at the rear of the auditorium, and a new elevator on the southwest side of the building. With the interior kitchen still intact, it is likely that at least one of the commercial spaces would be geared towards a restaurant tenant.
A new roof membrane will be applied, the exterior limestone and stucco will be cleaned and repaired, the street windows repaired and repainted, and the auditorium windows, which had been boarded up by previous tenants, will be replaced with similar-looking new windows. The front entrance’s stone steps would be redone, and the front doors and lamp posts would be restored. The Ithaca Landamrks Preservation Commission signed off on the work in January 2017. The plans can be seen in the application here.
At the moment, it looks like asbestos abatement is underway, and the ground-level light wells are having their deteriorated concrete removed and replaced. Kascon Environmental Services is performing the asbestos removal, and McPherson Builders Inc. of Ithaca is the contractor-of-record. I asked Fane via email if the plans had changed at all since January 2017, or if there were any tenants on board, but as is often the case with him and his lawyer/representative Nate Lyman, there is no response.
3/30/2018
4/28/2018
Ithacating in Cornell Heights 